第86章 MANNER--ART.(5)

  • Character
  • 佚名
  • 1021字
  • 2016-03-02 16:28:09

The ordinary Englishman, when he travels abroad, carries his shyness with him. He is stiff, awkward, ungraceful, undemonstrative, and apparently unsympathetic; and though he may assume a brusqueness of manner, the shyness is there, and cannot be wholly concealed. The naturally graceful and intensely social French cannot understand such a character; and the Englishman is their standing joke--the subject of their most ludicrous caricatures. George Sand attributes the rigidity of the natives of Albion to a stock of FLUIDE BRITANNIQUE which they carry about with them, that renders them impassive under all circumstances, and "as impervious to the atmosphere of the regions they traverse as a mouse in the centre of an exhausted receiver." (4)The average Frenchman or Irishman excels the average Englishman, German, or American in courtesy and ease of manner, simply because it is his nature. They are more social and less self-dependent than men of Teutonic origin, more demonstrative and less reticent;they are more communicative, conversational, and freer in their intercourse with each other in all respects; whilst men of German race are comparatively stiff, reserved, shy, and awkward. At the same time, a people may exhibit ease, gaiety, and sprightliness of character, and yet possess no deeper qualities calculated to inspire respect. They may have every grace of manner, and yet be heartless, frivolous, selfish. The character may be on the surface only, and without any solid qualities for a foundation.

There can be no doubt as to which of the two sorts of people--the easy and graceful, or the stiff and awkward--it is most agreeable to meet, either in business, in society, or in the casual intercourse of life. Which make the fastest friends, the truest men of their word, the most conscientious performers of their duty, is an entirely different matter.

The dry GAUCHE Englishman--to use the French phrase, L'ANGLAISEMPETRE--is certainly a somewhat disagreeable person to meet at first. He looks as if he had swallowed a poker. He is shy himself, and the cause of shyness in others. He is stiff, not because he is proud, but because he is shy; and he cannot shake it off, even if he would. Indeed, we should not be surprised to find that even the clever writer who describes the English Philistine in all his enormity of awkward manner and absence of grace, were himself as shy as a bat.

When two shy men meet, they seem like a couple of icicles. They sidle away and turn their backs on each other in a room, or when travelling creep into the opposite corners of a railway-carriage.

When shy Englishmen are about to start on a journey by railway, they walk along the train, to discover an empty compartment in which to bestow themselves; and when once ensconced, they inwardly hate the next man who comes in. So; on entering the dining-room of their club, each shy man looks out for an unoccupied table, until sometimes--all the tables in the room are occupied by single diners. All this apparent unsociableness is merely shyness --the national characteristic of the Englishman.

"The disciples of Confucius," observes Mr. Arthur Helps, "say that when in the presence of the prince, his manner displayed RESPECTFUL UNEASINESS. There could hardly be given any two words which more fitly describe the manner of most Englishmen when in society." Perhaps it is due to this feeling that Sir Henry Taylor, in his 'Statesman,' recommends that, in the management of interviews, the minister should be as "near to the door" as possible; and, instead of bowing his visitor out, that he should take refuge, at the end of an interview, in the adjoining room.

"Timid and embarrassed men," he says, "will sit as if they were rooted to the spot, when they are conscious that they have to traverse the length of a room in their retreat. In every case, an interview will find a more easy and pleasing termination WHEN THEDOOR IS AT HAND as the last words are spoken." (5)The late Prince Albert, one of the gentlest and most amiable, was also one of the most retiring of men. He struggled much against his sense of shyness, but was never able either to conquer or conceal it. His biographer, in explaining its causes, says: "It was the shyness of a very delicate nature, that is not sure it will please, and is without the confidence and the vanity which often go to form characters that are outwardly more genial." (6)But the Prince shared this defect with some of the greatest of Englishmen. Sir Isaac Newton was probably the shyest man of his age. He kept secret for a time some of his greatest discoveries, for fear of the notoriety they might bring him. His discovery of the Binomial Theorem and its most important applications, as well as his still greater discovery of the Law of Gravitation, were not published for years after they were made; and when he communicated to Collins his solution of the theory of the moon's rotation round the earth, he forbade him to insert his name in connection with it in the 'Philosophical Transactions,' saying: "It would, perhaps, increase my acquaintance--the thing which I chiefly study to decline."From all that can be learnt of Shakspeare, it is to be inferred that he was an exceedingly shy man. The manner in which his plays were sent into the world--for it is not known that he edited or authorized the publication of a single one of them--and the dates at which they respectively appeared, are mere matters of conjecture. His appearance in his own plays in second and even third-rate parts--his indifference to reputation, and even his apparent aversion to be held in repute by his contemporaries--his disappearance from London (the seat and centre of English histrionic art) so soon as he had realised a moderate competency--and his retirement about the age of forty, for the remainder of his days, to a life of obscurity in a small town in the midland counties--all seem to unite in proving the shrinking nature of the man, and his unconquerable shyness.