第94章

We may as well observe, by way of parenthesis, that this fancy of getting rid of a place as soon as it is in fine order, would probably never occur to any man but an American, and an American of the particular variety to which Mr. Taylor belonged.

"I don't wonder at his wanting to get rid of the house; but the situation and the neighbourhood might have satisfied him, I think," said Charlie, as he accepted Miss Patsey's invitation to eat the nice supper she had prepared for him.

As he took his seat at the table, Mrs. Hubbard observed, that he probably had not seen such short-cake as Patsey made, in Rome--to which Charlie assented warmly. He had wished one evening, in Florence, he said, for some of his sister's short-cake, and a good cup of tea of her making; and the same night he dreamed that the Venus de Medicis had made him some. He was ashamed of himself for having had such a dream; but it could not be helped, such was the fact.

{"Venus de Medicis" = Famous nude statue of the Goddess Venus--a 1st Century BC copy of a lost Greek statue by Cleomenes of Athens--in the Uffizi Gallery in Florence}

Mrs. Hubbard thought no woman, Venus or not, ought to be ashamed of making good short-cake; if they were bad, that would be a different matter.

"Well, Charlie, now you have seen all those paintings and figures you used to talk so much about, what do you think of them?--are they really so handsome as you expected?" asked his sister.

"They are wonderful!" exclaimed Charlie, with animation; putting down a short-cake he had just buttered. "Wonderful!--There is no other word to describe them."

Mrs. Hubbard observed, that she had some notion of a painting, from the minister's portrait in the parlour--Charlie took up his short cake--she thought a person might have satisfaction in a painting; such a picture as that portrait; but as for those stone figures he used to wish to see, she could not understand what was the beauty of such idol-like things.

"They are not at all like idols, mother; they are the most noble conceptions of the human form."

How could they look human? He himself had told her they were made out of marble; just such marble, she supposed, as was used for tomb-stones.

"I only wish you could see some of the statues in Italy; the Laocoon, Niobe, and others I have seen. I think you would feel then what I felt--what I never can describe in words."

{"Laocoon" = A famous Greek statue, in the Vatican at Rome, of a Trojan priest and his two sons being crushed by serpents. "Niobe" = a famous statue, in the Uffizi Gallery in Florence (a Roman copy of a lost Greek original attributed to Scopas), of Niobe -- in Greek mythology the daughter of Tantalus whose children were slaughtered by Zeus and who was transformed into a weeping image of stone}

Mrs. Hubbard said the names sounded very heathen-like to her ears; she had never seen a statue, of any description whatever; she didn't think she could have any satisfaction in looking at one. If they had any colour to them, and were dressed up in uniforms, and handsome clothes, like the wax-figures of General Washington, Napoleon Bonaparte, and Lord Nelson, she had once seen, they would be worth looking at, perhaps.

Miss Patsey wished to know, if among the statues he had seen, there were any supposed to be likenesses of the great men that we read about in history?

"There are many statues and busts in Italy, that are undeniably portraits of some of the greatest men of antiquity," he replied.

"Do you suppose they are really like those old Romans? I don't mean such likenesses as the portrait of our dear father; but still pretty good for those old times?"

"Far better than anything of the kind you ever saw," replied Charlie, drinking off a cup of tea.

Miss Patsey thought those might be worth seeing. A conversation followed upon the delight Charlie had felt in beholding celebrated places, the scenes of great events in past ages; a delight that an American can never know in his own country, and which, on that very account, he enjoys with a far keener zest than a European. Miss Patsey seemed to enter a little into this pleasure; but, upon the whole, it was quite evident that all the imagination of the family had fallen to Charlie's share. The young man thought little of this, however: when Judy had carried away the remains of the supper, he returned to his mother's side, and the evening passed away in that pleasant family chat, so interesting to those who feel alike. Sympathy of the heart is a tie ten-fold stronger than sympathy of the head; people may think alike, and hate each other; while those who feel together, are often led to adopt the same opinions.

When Charlie had read the usual evening chapter in the Bible, and had received his mother's kiss and blessing, he laid himself down with a thankful heart, in the little garret-room, as in his childish years. The young artist's dreams that night, were a mingled crowd of fancies; the memories of his boyhood reviving in their old haunts, accompanied by more recent images brought from beyond the Ocean, and linked with half-formed plans and ideas for the future. Among these visions of the night, were two more distinct than the rest; one was a determination to commence, the very next morning, a copy of his honoured father's portrait, in which the artist's object was unusual; for it was his chief aim to make it as little like the original before him, as possible.

Shall we reveal the fact that another image, wearing a gentler aspect than the stern, rigid features of the minister's portrait, seemed to flit before the young painter's fancy, coming unbidden, and mingling more especially with recollections of the past? As a ray of moonlight stole into the low dormer-window, the young man turned on his humble bed, a sigh burst from his lips, followed by the words, "No, no!"

We shall keep the secret.