第173章
- Sketches by Boz
- Charles Dickens
- 992字
- 2016-03-02 16:29:24
THE GREAT WINGLEBURY DUEL
The little town of Great Winglebury is exactly forty-two miles and three-quarters from Hyde Park corner. It has a long, straggling, quiet High-street, with a great black and white clock at a small red Town-hall, half-way up - a market-place - a cage - an assembly-room - a church - a bridge - a chapel - a theatre - a library - an inn - a pump - and a Post-office. Tradition tells of a 'Little Winglebury,' down some cross-road about two miles off; and, as a square mass of dirty paper, supposed to have been originally intended for a letter, with certain tremulous characters inscribed thereon, in which a lively imagination might trace a remote resemblance to the word 'Little,' was once stuck up to be owned in the sunny window of the Great Winglebury Post-office, from which it only disappeared when it fell to pieces with dust and extreme old age, there would appear to be some foundation for the legend.
Common belief is inclined to bestow the name upon a little hole at the end of a muddy lane about a couple of miles long, colonised by one wheelwright, four paupers, and a beer-shop; but, even this authority, slight as it is, must be regarded with extreme suspicion, inasmuch as the inhabitants of the hole aforesaid, concur in opining that it never had any name at all, from the earliest ages down to the present day.
The Winglebury Arms, in the centre of the High-street, opposite the small building with the big clock, is the principal inn of Great Winglebury - the commercial-inn, posting-house, and excise-office;the 'Blue' house at every election, and the judges' house at every assizes. It is the head-quarters of the Gentlemen's Whist Club of Winglebury Blues (so called in opposition to the Gentlemen's Whist Club of Winglebury Buffs, held at the other house, a little further down): and whenever a juggler, or wax-work man, or concert-giver, takes Great Winglebury in his circuit, it is immediately placarded all over the town that Mr. So-and-so, 'trusting to that liberal support which the inhabitants of Great Winglebury have long been so liberal in bestowing, has at a great expense engaged the elegant and commodious assembly-rooms, attached to the Winglebury Arms.'
The house is a large one, with a red brick and stone front; a pretty spacious hall, ornamented with evergreen plants, terminates in a perspective view of the bar, and a glass case, in which are displayed a choice variety of delicacies ready for dressing, to catch the eye of a new-comer the moment he enters, and excite his appetite to the highest possible pitch. Opposite doors lead to the 'coffee' and 'commercial' rooms; and a great wide, rambling staircase, - three stairs and a landing - four stairs and another landing - one step and another landing - half-a-dozen stairs and another landing - and so on - conducts to galleries of bedrooms, and labyrinths of sitting-rooms, denominated 'private,' where you may enjoy yourself, as privately as you can in any place where some bewildered being walks into your room every five minutes, by mistake, and then walks out again, to open all the doors along the gallery until he finds his own.
Such is the Winglebury Arms, at this day, and such was the Winglebury Arms some time since - no matter when - two or three minutes before the arrival of the London stage. Four horses with cloths on - change for a coach - were standing quietly at the corner of the yard surrounded by a listless group of post-boys in shiny hats and smock-frocks, engaged in discussing the merits of the cattle; half a dozen ragged boys were standing a little apart, listening with evident interest to the conversation of these worthies; and a few loungers were collected round the horse-trough, awaiting the arrival of the coach.
The day was hot and sunny, the town in the zenith of its dulness, and with the exception of these few idlers, not a living creature was to be seen. Suddenly, the loud notes of a key-bugle broke the monotonous stillness of the street; in came the coach, rattling over the uneven paving with a noise startling enough to stop even the large-faced clock itself. Down got the outsides, up went the windows in all directions, out came the waiters, up started the ostlers, and the loungers, and the post-boys, and the ragged boys, as if they were electrified - unstrapping, and unchaining, and unbuckling, and dragging willing horses out, and forcing reluctant horses in, and making a most exhilarating bustle. 'Lady inside, here!' said the guard. 'Please to alight, ma'am,' said the waiter.
'Private sitting-room?' interrogated the lady. 'Certainly, ma'am,'
responded the chamber-maid. 'Nothing but these 'ere trunks, ma'am?' inquired the guard. 'Nothing more,' replied the lady. Up got the outsides again, and the guard, and the coachman; off came the cloths, with a jerk; 'All right,' was the cry; and away they went. The loungers lingered a minute or two in the road, watching the coach until it turned the corner, and then loitered away one by one. The street was clear again, and the town, by contrast, quieter than ever.
'Lady in number twenty-five,' screamed the landlady. - 'Thomas!'
'Yes, ma'am.'
'Letter just been left for the gentleman in number nineteen. Boots at the Lion left it. No answer.'
'Letter for you, sir,' said Thomas, depositing the letter on number nineteen's table.
'For me?' said number nineteen, turning from the window, out of which he had been surveying the scene just described.
'Yes, sir,' - (waiters always speak in hints, and never utter complete sentences,) - 'yes, sir, - Boots at the Lion, sir, - Bar, sir, - Missis said number nineteen, sir - Alexander Trott, Esq., sir? - Your card at the bar, sir, I think, sir?'
'My name IS Trott,' replied number nineteen, breaking the seal.