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When we remember how frequently this speech is made, immediately after THE CHANGE too, the parallel is quite perfect, and still more singular.

Perhaps the cast of our political pantomime never was richer than at this day. We are particularly strong in clowns. At no former time, we should say, have we had such astonishing tumblers, or performers so ready to go through the whole of their feats for the amusement of an admiring throng. Their extreme readiness to exhibit, indeed, has given rise to some ill-natured reflections; it having been objected that by exhibiting gratuitously through the country when the theatre is closed, they reduce themselves to the level of mountebanks, and thereby tend to degrade the respectability of the profession. Certainly Grimaldi never did this sort of thing; and though Brown, King, and Gibson have gone to the Surrey in vacation time, and Mr. C. J. Smith has ruralised at Sadler's Wells, we find no theatrical precedent for a general tumbling through the country, except in the gentleman, name unknown, who threw summersets on behalf of the late Mr. Richardson, and who is no authority either, because he had never been on the regular boards.

But, laying aside this question, which after all is a mere matter of taste, we may reflect with pride and gratification of heart on the proficiency of our clowns as exhibited in the season. Night after night will they twist and tumble about, till two, three, and four o'clock in the morning; playing the strangest antics, and giving each other the funniest slaps on the face that can possibly be imagined, without evincing the smallest tokens of fatigue. The strange noises, the confusion, the shouting and roaring, amid which all this is done, too, would put to shame the most turbulent sixpenny gallery that ever yelled through a boxing-night.

It is especially curious to behold one of these clowns compelled to go through the most surprising contortions by the irresistible influence of the wand of office, which his leader or harlequin holds above his head. Acted upon by this wonderful charm he will become perfectly motionless, moving neither hand, foot, nor finger, and will even lose the faculty of speech at an instant's notice; or on the other hand, he will become all life and animation if required, pouring forth a torrent of words without sense or meaning, throwing himself into the wildest and most fantastic contortions, and even grovelling on the earth and licking up the dust. These exhibitions are more curious than pleasing; indeed, they are rather disgusting than otherwise, except to the admirers of such things, with whom we confess we have no fellow-feeling.

Strange tricks - very strange tricks - are also performed by the harlequin who holds for the time being the magic wand which we have just mentioned. The mere waving it before a man's eyes will dispossess his brains of all the notions previously stored there, and fill it with an entirely new set of ideas; one gentle tap on the back will alter the colour of a man's coat completely; and there are some expert performers, who, having this wand held first on one side and then on the other, will change from side to side, turning their coats at every evolution, with so much rapidity and dexterity, that the quickest eye can scarcely detect their motions.

Occasionally, the genius who confers the wand, wrests it from the hand of the temporary possessor, and consigns it to some new performer; on which occasions all the characters change sides, and then the race and the hard knocks begin anew.

We might have extended this chapter to a much greater length - we might have carried the comparison into the liberal professions - we might have shown, as was in fact our original purpose, that each is in itself a little pantomime with scenes and characters of its own, complete; but, as we fear we have been quite lengthy enough already, we shall leave this chapter just where it is. Agentleman, not altogether unknown as a dramatic poet, wrote thus a year or two ago -'All the world's a stage, And all the men and women merely players:'

and we, tracking out his footsteps at the scarcely-worth-mentioning little distance of a few millions of leagues behind, venture to add, by way of new reading, that he meant a Pantomime, and that we are all actors in The Pantomime of Life.

SOME PARTICULARS CONCERNING A LION

We have a great respect for lions in the abstract. In common with most other people, we have heard and read of many instances of their bravery and generosity. We have duly admired that heroic self-denial and charming philanthropy which prompts them never to eat people except when they are hungry, and we have been deeply impressed with a becoming sense of the politeness they are said to display towards unmarried ladies of a certain state. All natural histories teem with anecdotes illustrative of their excellent qualities; and one old spelling-book in particular recounts a touching instance of an old lion, of high moral dignity and stern principle, who felt it his imperative duty to devour a young man who had contracted a habit of swearing, as a striking example to the rising generation.

All this is extremely pleasant to reflect upon, and, indeed, says a very great deal in favour of lions as a mass. We are bound to state, however, that such individual lions as we have happened to fall in with have not put forth any very striking characteristics, and have not acted up to the chivalrous character assigned them by their chroniclers. We never saw a lion in what is called his natural state, certainly; that is to say, we have never met a lion out walking in a forest, or crouching in his lair under a tropical sun, waiting till his dinner should happen to come by, hot from the baker's. But we have seen some under the influence of captivity, and the pressure of misfortune; and we must say that they appeared to us very apathetic, heavy-headed fellows.