第38章 THE STATE AS A WORK OF ART(38)

Whatever may have been the private morals of Julius II, in all essential respects he was the savior of the Papacy.His familiarity with the course of events since the pontificate of his uncle Sixtus had given him a profound insight into the grounds and conditions of the Papal authority.On these he founded his own policy, and devoted to it the whole force and passion of his unshaken soul.He ascended the steps of St.Peter's chair without simony and amid general applause, and with him ceased, at all events, the undisguised traffic in the highest offices of the Church.Julius had favorites, and among them were some the reverse of worthy, but a special fortune put him above the temptation to nepotism.His brother, Giovanni della Rovere, was the husband of the heiress of Urbino, sister of the last Montefeltro, Guidobaldo, and from this marriage was born, in 1491, a son, Francesco Maria della Rovere, who was at the same time Papal 'nipote' and lawful heir to the duchy of Urbino.What Julius elsewhere acquired, either on the field of battle or by diplomatic means, he proudly bestowed on the Church, not on his family; the ecclesiastical territory, which he found in a state of dissolution, he bequeathed to his successor completely subdued, and increased by Parma and Piacenza.It was not his fault that Ferrara too was not added the Church.The 700,000 ducats which were stored up in the Castel Sant' Angelo were to be delivered by the governor to none but the future Pope.He made himself heir of the cardinals, and, indeed, of all the clergy who died in Rome, and this by the most despotic means; but he murdered or poisoned none of them.That he should himself lead his forces to battle was for him an unavoidable necessity, and certainly did him nothing but good at a time when a man in Italy was forced to be either hammer or anvil, and when per-sonality was a greater power than the most indisputable right.If despite all his high-sounding 'Away with the barbarians! ' he nevertheless contributed more than any man to the firm settlement of the Spaniards in Italy, he may have thought it a matter of indifference to the Papacy, or even, as things stood, a relative advantage.And to whom, sooner than to Spain, could the Church look for a sincere and lasting respect, in an age when the princes of Italy cherished none but sacrilegious projects against her? Be this as it may, the powerful, original nature, which could swallow no anger and conceal no genuine good-will, made on the whole the impression most desirable in his situation--that of the 'Pontefice terribile.' 26 He could even, with comparatively clear conscience, venture to summon a council to Rome, and so bid defiance to that outcry for a council which was raised by the opposition all over Europe.A ruler of this stamp needed some great outward symbol of his conceptions; Julius found it in the reconstruction of St.Peter's.The plan of it, as Bramante wished to have it, is perhaps the grandest expression of power in unity which can be imagined.In other arts besides architecture the face and the memory of the Pope live on in their most ideal form, and it is not without significance that even the Latin poetry of those days gives proof of a wholly different enthusiasm for Julius than that shown for his predecessors.The entry into Bologna, at the end of the 'Iter Julii Secundi' by the Cardinal Adriano da Corneto, has a splendor of its own, and Giovan Antonio Flaminio, in one of the finest elegies, appealed to the patriot in the Pope to grant his protection to Italy.

In a constitution of his Lateran Council, Julius had solemnly denounced the simony of the Papal elections.After his death in 1513, the money-loving cardinals tried to evade the prohibition by proposing that the endowments and offices hitherto held by the chosen candidate should be equally divided among themselves, in which case they would have elected the best-endowed cardinal, the incompetent Raphael Riario.But a reaction, chiefly arising from the younger members of the Sacred College, who, above all things, desired a liberal Pope, rendered the miserable combination futile; Giovanni Medici was elected --the famous Leo X.

We shall often meet with him in treating of the noonday of the Renaissance; here we wish only to point out that under him the Papacy was again exposed to great inward and outward dangers.Among these we do not reckon the conspiracy of the Cardinals Petrucci, De Sauli, Riario, and Corneto (1517), which at most could have occasioned a change of and to which Leo found the true antidote in the un-heard-of creation of thirty-one new cardinals, a measure which additional advantage of rewarding, in some cases at least, real merit.

But some of the paths which Leo allowed himself to tread during the first two years of his office were perilous to the last degree.He seriously endeavored to secure, by negotiation, the kingdom of Naples for his brother Giuliano, and for his nephew Lorenzo a powerful North Italian State, to comprise Milan, Tuscany, Urbino and Ferrara.It is clear that the Pontifical State, thus hemmed in on all sides, would have become a mere Medicean appanage, and that, in fact, there would have been no further need to secularize it.

The plan found an insuperable obstacle in the political conditions of the time.Giuliano died early.To provide for Lorenzo, Leo undertook to expel the Duke Francesco Maria della Rovere from Urbino, but reaped from the war nothing but hatred and poverty, and was forced, when in 1519 Lorenzo followed his uncle to the grave, to hand over the hard-won conquests to the Church.He did on compulsion and without credit what, if it had been done voluntarily, would have been to his lasting honour.