第70章 The Revival of Antiquity Introductory (20)
- The Civilization of the Renaissance in Italy
- Jacob Burckhardt
- 838字
- 2016-03-02 16:32:57
Leonardo, Poggio, and Giannozzo Manetti were at one time or another private secretaries to the popes, and Carlo Aretino was to have been so.Biondo of Forli, and, in spite of everything, at last even Lorenzo Valla, filled the same office.From the time of Nicholas V and Pius IIonwards, the Papal chancery continued more and more to attract the ablest men, and this was still the case even under the last popes of the fifteenth century, little as they cared for letters.In Platina's 'History of the Popes,' the life of Paul II is a charming piece of vengeance taken by a humanist on the one Pope who did not know how to behave to his chancery--to that circle 'of poets and orators who bestowed on the Papal court as much glory as they received from it.' It is delightful to see the indignation of these haughty gentlemen, when some squabble about precedence happened, when, for instance, the 'Advocati consistoriales' claimed equal or superior rank to theirs.The Apostle John, to whom the 'Secreta caelestia' were revealed; the secretary of Porsenna, whom Mucius Scaevola mistook for the king;Maecenas, who was private secretary to Augustus; the archbishops, who in Germany were called chancellors, are all appealed to in turn.'The apostolic secretaries have the most weighty business of the world in their hands.For who but they decide on matters of the Catholic faith, who else combat heresy, re-establish peace, and mediate between great monarchs; who but they write the statistical accounts of Christendom?
It is they who astonish kings, princes, and nations by what comes forth from the Pope.They write commands and instructions for the legates, and receive their orders only from the Pope, on whom they wait day and night.' But the highest summit of glory was only attained by the two famous secretaries and stylists of Leo X: Pietro Bembo and Jacopo Sadoleto.
All the chanceries did not turn out equally elegant documents.Aleathern official style, in the impurest of Latin, was very common.In the Milanese documents preserved by Corio there is a remarkable contrast between this sort of composition and the few letters written by members of the princely house, which must have been written, too, in moments of critical importance.They are models of pure Latinity.To maintain a faultless style under all circumstances was a rule of good breeding, and a result of habit.
The letters of Cicero, Pliny, and others, were at this time diligently studied as models.As early as the fifteenth century a great mass of manuals and models for Latin correspondence had appeared (as off-shoots of the great grammatical and lexicographic works), a mass which is astounding to us even now when we look at them in the libraries.But just as the existence of these helps tempted many to undertake a task to which they had no vocation, so were the really capable men stimulated to a more faultless excellence, till at length the letters of Politian, and at the beginning of the sixteenth century those of Pietro Bembo, appeared, and took their place as unrivalled masterpieces, not only of Latin style in general, but also of the more special art of letter-writing.
Together with these there appeared in the sixteenth century the classical style of Italian correspondence, at the head of which stands Bembo again.Its form is wholly modern, and deliberately kept free from Latin influence, and yet its spirit is thoroughly penetrated and possessed by the ideas of antiquity.
But at a time and among a people where 'listening' was among the chief pleasures of life, and where every imagination was filled with the memory of the Roman senate and its great speakers, the orator occupied a far more brilliant place than the letter-writer.Eloquence had shaken off the influence of the Church, in which it had found a refuge during the Middle Ages, and now became an indispensable element and ornament of all elevated lives.Many of the social hours which are now filled with music were then given to Latin or Italian oratory, with results which every reader can imagine.
The social position of the speaker was a matter of perfect indifference; what was desired was simply the most cultivated humanistic talent.At the court of Borso of Ferrara, the Duke's physician, Girolamo da Castello, was chosen to deliver the congratulatory address on the visits of Frederick III and of Pius II.
Married laymen ascended the pulpits of the churches at any scene of festivity or mourning) and even on the feastdays of the saints.It struck the non-Italian members of the Council of Basle as something strange that the Archbishop of Milan should summon Aeneas Sylvius, who was then unordained, to deliver a public discourse at the feast of Saint Ambrose; but they suffered it in spite of the murmurs of the theologians, and listened to the speaker with the greatest curiosity.
Let us glance for a moment at the most frequent and important occasions of public speaking.