第13章 GOOD-BYE, JACK(1)

Hawaii is a queer place. Everything socially is what I may call topsy-turvy. Not but what things are correct. They are almost too much so. But still things are sort of upside down. The most ultra-exclusive set there is the "Missionary Crowd." It comes with rather a shock to learn that in Hawaii the obscure martyrdom-seeking missionary sits at the head of the table of the moneyed aristocracy.

But it is true. The humble New Englanders who came out in the third decade of the nineteenth century, came for the lofty purpose of teaching the kanakas the true religion, the worship of the one only genuine and undeniable God. So well did they succeed in this, and also in civilizing the kanaka, that by the second or third generation he was practically extinct. This being the fruit of the seed of the Gospel, the fruit of the seed of the missionaries (the sons and the grandsons) was the possession of the islands themselves,--of the land, the ports, the town sites, and the sugar plantations: The missionary who came to give the bread of life remained to gobble up the whole heathen feast.

But that is not the Hawaiian queerness I started out to tell. Only one cannot speak of things Hawaiian without mentioning the missionaries. There is Jack Kersdale, the man I wanted to tell about; he came of missionary stock. That is, on his grandmother's side. His grandfather was old Benjamin Kersdale, a Yankee trader, who got his start for a million in the old days by selling cheap whiskey and square-face gin. There's another queer thing. The old missionaries and old traders were mortal enemies. You see, their interests conflicted. But their children made it up by intermarrying and dividing the island between them.

Life in Hawaii is a song. That's the way Stoddard put it in his "Hawaii Noi":-"Thy life is music--Fate the notes prolong!

Each isle a stanza, and the whole a song."

And he was right. Flesh is golden there. The native women are sun-ripe Junos, the native men bronzed Apollos. They sing, and dance, and all are flower-bejewelled and flower-crowned. And, outside the rigid "Missionary Crowd," the white men yield to the climate and the sun, and no matter how busy they may be, are prone to dance and sing and wear flowers behind their ears and in their hair. Jack Kersdale was one of these fellows. He was one of the busiest men I ever met.

He was a several-times millionaire. He was a sugar-king, a coffee planter, a rubber pioneer, a cattle rancher, and a promoter of three out of every four new enterprises launched in the islands. He was a society man, a club man, a yachtsman, a bachelor, and withal as handsome a man as was ever doted upon by mammas with marriageable daughters. Incidentally, he had finished his education at Yale, and his head was crammed fuller with vital statistics and scholarly information concerning Hawaii Nei than any other islander I ever encountered. He turned off an immense amount of work, and he sang and danced and put flowers in his hair as immensely as any of the idlers.

He had grit, and had fought two duels--both, political--when he was no more than a raw youth essaying his first adventures in politics. In fact, he played a most creditable and courageous part in the last revolution, when the native dynasty was overthrown; and he could not have been over sixteen at the time. I am pointing out that he was no coward, in order that you may appreciate what happens later on. I've seen him in the breaking yard at the Haleakala Ranch, conquering a four-year-old brute that for two years had defied the pick of Von Tempsky's cow-boys. And I must tell of one other thing. It was down in Kona,--or up, rather, for the Kona people scorn to live at less than a thousand feet elevation. We were all on the lanai of Doctor Goodhue's bungalow. I was talking with Dottie Fairchild when it happened. A big centipede--it was seven inches, for we measured it afterwards--fell from the rafters overhead squarely into her coiffure. I confess, the hideousness of it paralysed me. I couldn't move. My mind refused to work. There, within two feet of me, the ugly venomous devil was writhing in her hair. It threatened at any moment to fall down upon her exposed shoulders--we had just come out from dinner.

"What is it?" she asked, starting to raise her hand to her head.

"Don't!" I cried. "Don't!"

"But what is it?" she insisted, growing frightened by the fright she read in my eyes and on my stammering lips.

My exclamation attracted Kersdale's attention. He glanced our way carelessly, but in that glance took in everything. He came over to us, but without haste.

"Please don't move, Dottie," he said quietly.

He never hesitated, nor did he hurry and make a bungle of it.

"Allow me," he said.

And with one hand he caught her scarf and drew it tightly around her shoulders so that the centipede could not fall inside her bodice.

With the other hand--the right--he reached into her hair, caught the repulsive abomination as near as he was able by the nape of the neck, and held it tightly between thumb and forefinger as he withdrew it from her hair. It was as horrible and heroic a sight as man could wish to see. It made my flesh crawl. The centipede, seven inches of squirming legs, writhed and twisted and dashed itself about his hand, the body twining around the fingers and the legs digging into the skin and scratching as the beast endeavoured to free itself. It bit him twice--I saw it--though he assured the ladies that he was not harmed as he dropped it upon the walk and stamped it into the gravel. But I saw him in the surgery five minutes afterwards, with Doctor Goodhue scarifying the wounds and injecting permanganate of potash. The next morning Kersdale's arm was as big as a barrel, and it was three weeks before the swelling went down.

All of which has nothing to do with my story, but which I could not avoid giving in order to show that Jack Kersdale was anything but a coward. It was the cleanest exhibition of grit I have ever seen.