第52章 CHAPTER XXIII--IN THE ENEMY'S HOUSE(3)
- The Letters
- Joseph Devon
- 715字
- 2016-03-02 16:37:39
When tea was over and the servants had come to clear away the cups, Lady Arabella, putting her arm round Mimi's waist, strolled with her into an adjoining room, where she collected a number of photographs which were scattered about, and, sitting down beside her guest, began to show them to her. While she was doing this, the servants closed all the doors of the suite of rooms, as well as that which opened from the room outside--that of the well-hole into the avenue.
Suddenly, without any seeming cause, the light in the room began to grow dim. Sir Nathaniel, who was sitting close to Mimi, rose to his feet, and, crying, "Quick!" caught hold of her hand and began to drag her from the room. Adam caught her other hand, and between them they drew her through the outer door which the servants were beginning to close. It was difficult at first to find the way, the darkness was so great; but to their relief when Adam whistled shrilly, the carriage and horses, which had been waiting in the angle of the avenue, dashed up. Her husband and Sir Nathaniel lifted--almost threw--Mimi into the carriage. The postillion plied whip and spur, and the vehicle, rocking with its speed, swept through the gate and tore up the road. Behind them was a hubbub--servants rushing about, orders being shouted out, doors shutting, and somewhere, seemingly far back in the house, a strange noise.
Every nerve of the horses was strained as they dashed recklessly along the road. The two men held Mimi between them, the arms of both of them round her as though protectingly. As they went, there was a sudden rise in the ground; but the horses, breathing heavily, dashed up it at racing speed, not slackening their pace when the hill fell away again, leaving them to hurry along the downgrade.
It would be foolish to say that neither Adam nor Mimi had any fear in returning to Doom Tower. Mimi felt it more keenly than her husband, whose nerves were harder, and who was more inured to danger. Still she bore up bravely, and as usual the effort was helpful to her. When once she was in the study in the top of the turret, she almost forgot the terrors which lay outside in the dark.
She did not attempt to peep out of the window; but Adam did--and saw nothing. The moonlight showed all the surrounding country, but nowhere was to be observed that tremulous line of green light.
The peaceful night had a good effect on them all; danger, being unseen, seemed far off. At times it was hard to realise that it had ever been. With courage restored, Adam rose early and walked along the Brow, seeing no change in the signs of life in Castra Regis.
What he did see, to his wonder and concern, on his returning homeward, was Lady Arabella, in her tight-fitting white dress and ermine collar, but without her emeralds; she was emerging from the gate of Diana's Grove and walking towards the Castle. Pondering on this and trying to find some meaning in it, occupied his thoughts till he joined Mimi and Sir Nathaniel at breakfast. They began the meal in silence. What had been had been, and was known to them all.
Moreover, it was not a pleasant topic.
A fillip was given to the conversation when Adam told of his seeing Lady Arabella, on her way to Castra Regis. They each had something to say of her, and of what her wishes or intentions were towards Edgar Caswall. Mimi spoke bitterly of her in every aspect. She had not forgotten--and never would--never could--the occasion when, to harm Lilla, the woman had consorted even with the nigger. As a social matter, she was disgusted with her for following up the rich landowner--"throwing herself at his head so shamelessly," was how she expressed it. She was interested to know that the great kite still flew from Caswall's tower. But beyond such matters she did not try to go. The only comment she made was of strongly expressed surprise at her ladyship's "cheek" in ignoring her own criminal acts, and her impudence in taking it for granted that others had overlooked them also.